Entertainment


(May 19, 2013)

  • Celebrity preview: Tiger Woods, Justin Bieber, Taylor Swift, Prince, Madonna and Kid Rock
  • Sat, 18 May 2013 01:00:00 -0000 – It’s one of the fiercest and most competitive entertainment weekends Las Vegas has ever seen, even with Tim McGraw, Faith Hill and their country …
  • Charlie Sheen to appear at Sapphire Day Club Memorial Day bash
  • Fri, 17 May 2013 01:00:00 -0000 – Get ready for some winning, Las Vegas: Charlie Sheen is coming to town.
  • Strip Scribbles: Las Vegas chefs set for ‘Top Chef Masters,’ and Wet ’n’ Wild contest
  • Fri, 17 May 2013 01:00:00 -0000 – Two Las Vegas chefs and possibly a third will be seen in the next edition of “Top Chef Masters” this summer on Bravo. RM Seafood champion Rick …
  • Weekend best bets: Tiger Jam, Relay for Life and Helldorado Days
  • Fri, 17 May 2013 01:00:00 -0000 – With both Tiger Jam and the Billboard Music Awards in town, this weekend will be full of fun concert opportunities.
  • Preview: Tiger Woods hosts Tiger Jam with Kid Rock and Uncle Kracker at Mandalay Bay, poker tournament at Bellagio
  • Fri, 17 May 2013 00:06:00 -0000 – Golf superstar Tiger Woods is bringing White House-style security against the media in his visit to Las Vegas this weekend for the 15th annual Tiger …
  • 2013 Billboard Music Awards preview: Prince, Madonna, Bieber and Swift at MGM Grand
  • Thu, 16 May 2013 23:32:00 -0000 – The BBMAs will be hosted by comedy actor Tracy Morgan of “30 Rock” fame. Las Vegas DJ residents David Guetta, Calvin Harris, Deadmau5 and …
  • ‘Tim McGraw’s Superstar Summer Night’ at MGM Grand airs Sunday on CBS
  • Thu, 16 May 2013 20:08:00 -0000 – It’s one of the most incredible star-studded lineups of country artists for The Venetian headliner Tim McGraw’s 2-hour CBS special “Tim McGraw’s …
  • Photos: Champagne and caviar at Guy Savoy’s last bastion of civilization
  • Thu, 16 May 2013 06:00:00 -0000 – Award-winning chef Guy Savoy and longstanding food, drink and pop culture journalist Robin Leach are two legendary hallmarks of the Las Vegas …
  • Oscar Goodman, Part 3: Twelve years of wins and losses at City Hall
  • Thu, 16 May 2013 04:25:00 -0000 – As former Mayor Oscar Goodman prepares for next Tuesday’s launch of his autobiography “Being Oscar,” we wrap our three-part interview series today. In Part 1, Oscar provided an intimate look at his 51-year romance and marriage to wife Carolyn, who now serves as mayor of Las Vegas. In Part 2, he reflected on his days as a Mob lawyer.
  • Concert review: Os Mutantes dazzle at Hard Rock Cafe
  • Wed, 15 May 2013 23:53:00 -0000 – The result was a performance that felt more like a house party with 50 of your closest friends.
  • About the James Turrell installation inside the Louis Vuitton store at CityCenter
  • Wed, 15 May 2013 23:25:00 -0000 – This, after all, is Turrell’s largest “ganzfeld effect”—an immersive sensory experience that alters perception.
  • Party promoters in Las Vegas nightclub war amid allegations of prostitution
  • Wed, 15 May 2013 22:57:00 -0000 – Nightclub operators and Metro vice cops are keeping an eagle eye on warring party promoters who have been linked to accusations of pimping out …
  • UNLV exhibit details the White Rose Nazi resistance group
  • Wed, 15 May 2013 22:45:00 -0000 – “The German name will be dishonoured forever if German youth does not rise up..”
  • Strip Scribbles: ‘Model Employee’ hopefuls take out the garbage at Mandalay Bay
  • Wed, 15 May 2013 21:02:00 -0000 – Before they’re surprised with a recycling task, they get a night out on the town after mixing it up with Excalibur hunks Thunder From Down Under, …
  • Criss Angel dices with death for the second time in one week in Las Vegas
  • Wed, 15 May 2013 02:30:00 -0000 – Since the falling swords didn’t impale him, magician Criss Angel will go one step closer to cheating death this week by walking blindfolded across a …
  • Holly Madison and Pasquale Rotella set their wedding date for Aug. 15
  • Wed, 15 May 2013 00:31:00 -0000 – Online gossip sites in Los Angeles were abuzz Monday night that blonde beauty Holly Madison has chosen Aug. 15 for her wedding to Electric Daisy …
  • Blink-182, Ne-Yo, Black Sabbath, Alice in Chains and more announce Vegas shows
  • Wed, 15 May 2013 00:15:00 -0000 – It’s a good day for fans of hard rock in Las Vegas, with a slate of heavy hitters in the genre dominating this week’s slate of upcoming local show announcements.
  • Strip Scribbles: Hulk Hogan’s new wrestling show at The Orleans; ‘Billy Elliott’ at The Smith Center; ‘Le Reve’ wins award
  • Tue, 14 May 2013 23:35:00 -0000 – Championship wrestlers Hulk Hogan and Kenny King plan to bring TNA Impact Wrestling to The Orleans Arena. Hulk will present a TNA championship …
  • New burlesque show ‘Beautiful: the Musical’ is heading to the Strip
  • Tue, 14 May 2013 21:34:00 -0000 – The new burlesque show “Beautiful: the Musical” scheduled to open on the Strip at the end of June has been two years in the making, and it’s …
  • Photos: Boyz II Men ponders a contract extension at The Mirage
  • Tue, 14 May 2013 19:39:00 -0000 – Fans of The Mirage headliners Boyz II Men shouldn’t worry that the smooth-as-silk R&B trio won’t be performing there June and July. Not …

    The Fountains of Bellagio

    Bellagio Fountains

    The Fountains of Bellagio are sited in an eight-acre lake located in front of the Bellagio Hotel. The idea and character for the fountain were conceived by Mr. Steve Wynn, Chairman of Mirage Resorts, who commissioned WET Design to realize his objectives for the fountain’s site.

    The Project took form in the summer of 1995, when Mr. Wynn, together with Mark Fuller and Claire Kahn of WET Design, determined the feature’s essential character. Among the Project’s objectives was the concept of creating a work that would be vibrantly kinetic and elating
    for visitors, while expressing the romantic spirit of Bellagio.

    The result of the collaboration between Mr. Wynn and the WET Design team is the most ambitious water feature ever conceived in terms of choreographic complexity and scale.

    Located within the lake and spanning its 1,000 foot length is an array of over 1,000 water expressions and over 4,000 individually programmed white lights. Within this plan is a combination of water forms that enables the fountains to interpret and perform to selected musical pieces. Some of the movement is continuous, responding to the smooth, legato passages of music, while other water jets are rapidly pulsing and staccato. The simplicity of the layout of water elements and the variety of vertical water expressions available in the fountain allow for breadth and variety in the fountain’s kinetics.

    A range of musical works was chosen by Mr.Wynn for the fountain’s shows, from classical and operatic pieces to popular music and songs from Broadway shows. In addition, Mr. Wynn and WET invited designers, musicians and performance artists to choreograph the fountain to the different musical selections. The result is a rich and dynamic collection of performances in water, each unique and expressive of its own musical character and the artist who created it. The performances range from delicate and whimsical to grand and commanding.

    Visitors to Bellagio will be welcomed with an experience in water performance like none other. One that will lift their spirits and leave them with a feeling of elation and joy.

    Experience the most ambitious, commanding water feature ever conceived! Bellagio’s world-famous fountains will speak to your heart with opera, classical and whimsical music while flirting with your playful nature through their carefully choreographed movements. You’ll be swept away by this breathtaking union of water, music and light.

    Show times (free to the public):  

    Monday – Friday        
    3:00 p.m. – 8:00 p.m.
    show every 1/2 hour
    8:00 p.m. – 12:00 a.m.
    show every 15 minutes

    Saturday & Sunday
    12:00 p.m. – 8:00 p.m.
    show every 1/2 hour
    8:00 p.m. – 12:00 a.m.
    show every 15 minutes

     *Schedule may vary.
    **Shows are subject to cancellation due to high winds

    CURRENT BELLAGIO FOUNTAINS MUSIC LIST

    Title: One, Singular Sensation. Artist: Original Broadway Cast. Composer: Marvin Hamlisch. Work: A Chorus Line, Broadway Musical. Year: 1975. Length 4:43

    Title: Hoe-Down. Artist: London Symphony Orchestra. Composer: Aaron Copland. Work: Rodeo. Year: 1988. Length 3:30

    Title: Simple Gifts. Artist: London Symphony Orchestra. Composer: Aaron Copland. Work: Appalachian Spring. Year: 1988. Length 3:12

    Title: Singin’ in the Rain. Artist: Gene Kelly. Composer: Alex North. Work: Singin’ in the Rain, Movie Musical. Year: 1952. Length 3:32

    Title: Rondine al Nido. Artist: Luciano Pavarotti. Composer: Vicenzo deCrescenzo. Work: La Rondine, Opera. Year: 1990. Length 3:23

    Title: Luck Be A Lady. Artist: Frank Sinatra. Composer: Frank Losser. Work: Guys & Dolls, Broadway Musical. Year: 1955. Length 5:14

    Title: Winter Games. Artist: David Foster. Composer: David Foster. Work: Composed for Winter Olympics. Year: 1987. Length 3:00

    Title: Hey, Big Spender. Artist: Gwen Verdon & Original Broadway Cast. Composer: Cy Coleman. Work: Sweet Charity, Broadway Musical. Year: 1966. Length 3:35

    Title: Con Te Partiro (Time to Say Goodbye). Artist: Andrea Bocelli & Sarah Brightman. Composer: F.Sartori, L.Quarantotto. Work: Pop Song. Year: 1996. Length 4:04

    Title: Hallelujah Chorus. Artist: Mormon Tabernacle Choir. Composer: Handel. Work: The Messiah. Year: 1992. Length 3:53

    Title: Carol of the Bells. Artist: Los Angeles Master Chorale. Composer: M. Leontovich. Work: Christmas Carol. Year: 1996. Length 1:29

    Title: O Holy Night. Artist: Placido Domingo. Composer: Placide Clappeau. Work: Christmas Carol. Year: 1984. Length 3:57

    Title: It’s Beginning to Look a Lot Like Christmas. Artist: Johnny Mathis. Composer: Meredith Wilson. Work: Christmas Carol. Year: 1997. Length 2:18

    Title: The Most Wonderful Time of the Year. Artist: Johnny Mathis. Composer. Eddie Pola & George Wyle. Work: Christmas Carol. Year: 1997. Length 2:45

    Title: We Need a Little Christmas. Artist: Johnny Mathis. Composer: Jerry Herman. Work: Mame, Broadway Musical. Year: 1997. Length 1:54

    Title: Sleigh Ride. Artist: Johnny Mathis. Composer: Leroy Anderson. Work: Christmas Carol. Year: 1997. Length 2:57

    Title: Santa Baby. Artist: Madonna. Composer: J. Javita & P. Springer. Work: Christmas Carol. Year: 1987. Length 3:57

    Title: Your Song. Artist: Elton John. Lyrics: Bernie Taupin. Work: Elton John. Year: 1970. Length 4:10

    Title: God Bless The USA. Artist: Lee Greenwood. Composer: Lee Greenwood. Work: American Patriot. Year: 1992. Length 3:57

    Title: Star Spangled Banner. Artist: Whitney Houston. Composer: Francis Scott Key. Work: CD Single. Year: 2001. Length 5:08

    Title: PinkPanther. Artist: Henry Mancini. Composer: Henry Mancini. Work: The Pink Panther, Movie Soundtrack. Year: 1964. Length 2:39

    Title: My Heart Will Go On. Artist: Celine Dion. Composer: James Horner. Lyrics by Will Jennings. Work: Let’s Talk About Love & Titanic: Music from the Motion Picture. Year: 1997. Length 5:08

    Title: Fly Me To The Moon. Artist: Frank Sinatra with Count Basie. Composer is Bart Howard; from the work The Very Best of Frank Sinatra, 1957; Length: 2:28

    Title: This Kiss. Artist: Faith Hill. Composer: Beth Nielsen Chapman, Annie Roboff and Robin Lerner; Work: Faith; 1998, Length: 3:00

    Title: Rhapsody on a Theme of Paganini. Artist: Mikhail Rudy. Composer: Sergei Rachmaninov; Work: Theme of Paganini; 1992, Length: 2.55

    Title: Gayaneh – Suite: Dawn, Ayeshe’s Dance. Artist: London Symphony Orchestra. Composer: Aram Ll’yich Khachaturian; Work: Spartacus; 1942, Length: 4:12

    Title: Overture/And All That Jazz. Artist: Catherine Zeta-Jones. Composer: Fred Ebb & John Kander; Work: Chicago Soundtrack; 2002, Length : 4:37

    Title: Ecstasy of Gold . Composer: Ennio Morricone; Work: The Good, The Bad, and the Ugly Soundtrack; 1966, Length: 3.22

    Title: Viva Las Vegas . Artist: Elvis Presley. Composer: George E. Stoll; Work: Viva Las Vegas Soundtrack; 1963, Length: 2.25

    Bellagio Fountains Website

     

     

    Beatles Love

    LOVE brings the magic of Cirque du Soleil together with the spirit and passion behind the most beloved rock group of all time – The Beatles – to create a vivid, intimate and powerful entertainment experience.

    With LOVE, Cirque du Soleil celebrates the musical legacy of The Beatles through their timeless, original recordings.  Drawn from the poetry of the lyrics, the show explores the content of the songs as interpreted by innovative performances from a cast of 60 international artists.  A youthful, raw energy is channeled through aerial performance, extreme sports and urban freestyle dance.

    A unique soundscape of The Beatles music has been created for LOVE using the master tapes at Abbey Road Studios.  The panoramic visual and surround sound in the custom-built theatre at The Mirage will envelop the audience who will experience The Beatles as never before…

    Beatles Love Pic

    Sir George Martin, The Beatles original producer, and his son Giles Martin have been working with the entire archive of Beatles recordings to create the musical component for LOVE. The result is an unprecedented approach to the music for a stage production. “After spending more than 40 years of my life working with The Beatles and their wonderful music, I am thrilled to be working with it once again, on this exciting project with Cirque du Soleil,” said Sir George Martin. “The show will be a unique and magical experience.”

    Using the master tapes at Abbey Road Studios, Sir George and Giles have created a unique soundscape for LOVE. “I think we will achieve a real sense of drama with the music, the audience will feel as though they are actually in the theatre with the band. People are going to be knocked out by what they are hearing!” said Giles Martin.

    LOVE will be presented in a custom-built theatre at The Mirage, featuring 360° seating, advanced high definition video projections with 100ft digital moving images, and a panoramic surround sound system.
    For more information on the show visit: cirquedusoleil.com/love

    Ticket Prices:
     
    Lower Orchestra
    $150
     
    Upper Orchestra
    $125
     
    Balcony
    $69 & $99
     
    *All tickets during the Preview Period are 25% off regular prices.
     

    Show Schedule:
    Preview performances will be presented June 2 through June 29 at 7:00pm.
    In addition, there will 10:30pm performances on the following dates: June 9, 10,11, 16 & 17.

    During Preview performances, the creative team is in the very final stages of production. The audience’s reaction and participation is an important step in this process. The artistic director of LOVE reserves the right to interrupt the performance to make adjustments as necessary.

    Following the preview period, LOVE will be performed Thursday through Monday with no shows on Tuesdays or Wednesdays.  Beginning July 1, there will be two shows nightly at 7:30pm & 10:30pm.

    Reserve Tickets Online  or call 702-792-7777

     

     

    Tucked away behind the MGM Grand Hotel is what some may call the best kept secret in Las Vegas: The Mansion at MGM Grand.

    The Mansion at The MGM Grand is modeled on an 18th century Florentine villa, and each of the 29 accommodations has its own private butler available around the clock. The Mansion’s amenities include a lavish dining room, private pool and spa, as well as two chefs–one specializing in Asian cuisine, the other Continental–on-call to cook for you. (Catering is extra.)

    The smallest villa is 2,900 square feet, but they range up to 12,000 square feet. If you’re looking for a mansion-away-from-mansion, the staff members, who pick you up at the airport in a Rolls-Royce and remember your favorite wine, flowers and newspapers from last time, will make it worthwhile.

    The Mansion also boasts an art collection that puts Vegas’ Guggenheim Hermitage Museum to shame. One can see Tang dynasty horse sculptures, 16th-century Portuguese tapestries, Pablo Picasso, Fernand Léger, Claes Oldenburg, Henri Matisse, Richard Serra and more.

    Also included are a private casino, two spas, high-tech screening and conference rooms, and $1 million worth of area rugs. No expense was spared in creating this exquisite property, which includes 30 apartment-style villas (each with its own indoor pool).


    It is considered to be one of the most expensive hotels in the world with prices starting at $5,000 per night and going up to $25,000. It has maintained its exclusive status and is strictly off-limits to the general public. However, you may catch a partial view of it from some of the hotel rooms at MGM Grand. If you can afford it and want the best money can buy, then this may be the perfect hotel for you! Reservations at this exclusive MGM Grand resort can be made by contacting us.
     

     

    Phantom

    Set in a new $40 million state-of-the-art theatre and directed by 20-time Tony Award winner Hal Prince, Phantom at The Venetian is a can’t-miss experience and promises surprises that will astound even the biggest Phantom fans. Single tickets (ranging $75-$150 each) are scheduled to go on sale to the general public on April 9th. Pre-sales tickets may be available by calling 866-641-7469 or 702-414-7469.

    The new 90-minute Las Vegas staging directed by Harold Prince and utilizing the vision of the show’s original London and Broadway production designer Maria Björnson had its first preview June 4 at The Venetian

    The production will play in a new 1,800-seat venue being tailor-built — at a cost of $40 million — for the musical. Designed by David Rockwell of the Rockwell Group, the theatre will allow for special effects and interaction like never before, creating an environmental theatrical experience not seen in other productions of the international smash.

    The interior will look like a 19th-century opera house. The musical is set in and around the Paris Opera House in the late 19th-century.

    The Rockwell Group includes among its recent impressive projects the Kodak Theatre in Los Angeles, the W New York and W Union Square Hotels in New York, and the Motown Center in Detroit. Rockwell’s theatrical design credits on Broadway include The Rocky Horror Show, Hairspray, All Shook Up and Dirty Rotten Scoundrels.

    The Las Vegas Phantom will feature a full orchestra of live musicians.

    The production will be produced by the Really Useful Group Ltd. (Andrew Lloyd Webber’s company) and Live Nation (formerly Clear Channel Entertainment). Really Useful refers to the Vegas production as “a permanent theatrical installation.”

    “We’re looking forward to a high old time adapting Phantom to a brand new theatre, with the capability for some additional surprises,” director Prince said in 2004, when the project was first announced. “…We hope [the production] will keep us at The Venetian for decades!”

    A cast of 46 will be employed. The roles of the Phantom and Christine will be double cast along with a couple parts. There will be 10 shows a week (typical of Vegas, but not of Broadway).

    Actress Rebecca Spencer announced that she will play Madame Giry in the production. Spencer previously played Carlotta 15 years ago in the Hamburg, Germany production of the international hit musical.

    On Jan. 9, The Phantom of the Opera became the longest running show on Broadway, surpassing Lloyd Webber’s Cats.

    The musical, with lyrics by Don Black and Richard Stilgoe, was inspired by the classic novel “Le Fantôme de l’Opéra” by Gaston Leroux. It tells the story of a masked figure — a genius musician — who lurks beneath the Paris Opera House and falls in love with soprano Christine Daae, his student. Anyone who gets in the way of his relationship with her — or his goal to make her the star of the opera house — is at risk.

    The special effects will be more spectacular than before, the team promises, with an enhanced and more intense scene involving the show’s crashing chandelier.

    On Broadway, the show runs 2 hours and 30 minutes or so. For this production composer Andrew Lloyd Webber had to reduce it down to 90 minutes, which is an hour less than the original. Webber was closely involved in the editing process and removed only what would not have a large impact on the production.

    The Phantom of the Opera had its world premiere Oct. 9, 1986 at Her Majesty’s Theatre in London, winning every major British theatre award including the Olivier and Evening Standard Awards. Michael Crawford and Sarah Brightman starred in the leading roles (and reprises the roles on Broadway).

    The Broadway production opened on Jan. 26, 1988, and won seven 1988 Tony Awards, including Best Musical.

    Productions of the musical are currently playing in London, New York, Madrid, Kyoto (Japan), Stuttgart (Germany), and Copenhagen, as well as on one national tour in the United States and one national tour in Japan.

    Special thanks to Kenneth Jones of Playbill for providing some of the content with his interview with Phantom composer Andrew Lloyd Webber.

     ‘AMERICAN STORM’ Showtimes are 10:30 p.m. Tuesdays through Sundays in the Le Bistro Theater at the Riviera, 2901 Las Vegas Blvd. South, $59.95 (794-9433).

    ‘AMERICAN SUPERSTARS’ (B) Michael Jackson still has a career in this impersonator show that tries to keep up with a pop culture curve that quickly turns idols into laughingstocks. A versatile four-piece band pushes along credible impressions of the likes of Tim McGraw, Britney Spears and Christina Aguilera in a revue that copies the “Legends in Concert” format, but also keeps that show on its toes. (4/8/05 M.W.) Showtimes are 7 p.m. Sundays through Tuesdays, and 6:30 and 8:30 p.m. Wednesdays, Fridays and Saturdays in the Broadway Showroom at the Stratosphere, 2000 Las Vegas Blvd. South, $41.75; $49.50 for show, buffet, two drinks and a tower pass; $30.95, children ages 5-12, children younger than 5 will not be admitted and anyone younger than 21 must be accompanied by an adult (380-7711).

    ‘AVENUE Q’ (A-) The 2004 Tony-winning musical balances the edgy, satiric moments of its basic concept — a profane spoof of “Sesame Street” complete with authentic puppets — with the warmth of a traditional musical. The story of disenfranchised, underemployed young adults navigates a sometimes twisty road between the easy humor of R-rated puppet talk and plot threads we’re supposed to take seriously. But the creators steer beyond the initial novelty to incorporate bright social commentary and strong ensemble work. (9/8/05 M.W.) Showtimes are set for 8 p.m. Mondays and Tuesdays, 7 and 10 p.m. Thursdays through Sundays at Wynn Las Vegas, 3131 Las Vegas Blvd. South, $88-$99 (770-9966).

    ‘BITE’ (C-) A revue promising topless vampires could have been either campy or erotic in an Anne Rice vein, but “Bite” turns out to be little more than “Crazy Girls” with fangs. A few moments point to the potential of the vampire theme, and a few others are spellbindingly awful. But most of it just rumbles along to a deafening bombardment of classic rock standards. (9/10/04 M.W.) Showtimes are 10:30 p.m. daily except Thursdays in the Theater of the Stars at the Stratosphere, 2000 Las Vegas Blvd. South, $40.95 (380-7711).

    ‘BLUE MAN GROUP’ (A) A custom-built theater at The Venetian changes the Blue Man Group experience more than any new material performed by a now-familiar trio of bald blue pranksters. Some fans may be disappointed the new show doesn’t do a whole lot more than transplant the first Las Vegas effort into upgraded surroundings. But the Blue Men do incorporate some of “The Complex” rock tour and spruce up older segments with impressive lighting effects. The blue guys may never be able to surprise Las Vegas again, but newcomers are still in for a unique collision of playground comedy and post-grad intellect. (10/14/05 M.W.). Showtimes are 7:30 p.m. Mondays through Sundays, and 7:30 and 10:30 p.m. Saturdays in the Blue Man Group Theater at The Venetian, 3355 Las Vegas Blvd. South, $87.50-$126 through Sunday, and $98.50-$126 beginning Monday (414-7469).

    ‘BUCK WILD’ (C) A Vegas cheesecake revue dressed up as a country show is a hoot as long as the fun keeps coming with a campy wink, but gets itself into trouble when the time comes to actually perform country music. The topless aspects never quite blend into an overall tone that plays more like a theme park revue or ’70s-era variety television. But where else are you going to see a little person introduced as “Mini Rogers” (Melvin Rossi) sing a duet with a drag Dolly Parton (Steve Daily)? (9/23/05 M.W.) Showtimes are 9 p.m. Mondays through Saturdays at the Sahara, 2535 Las Vegas Blvd. South, $54-$65 (737-2515).

     ‘CHIPPENDALES: THE SHOW’ (B+) The 14-man revue has dressed up so it can dress down inside a dedicated theater that’s part of the Rio’s Ultimate Girls’ Night Out complex. Upgraded staging allows for more scenery, video and acrobatics, but the energetic ensemble is determined not to be upstaged by its surroundings. Director Brian Thomas and the Rio aspired to having Chippendales be more than just a cheap thrill, but the guys don’t seem to mind. (2/4/05 M.W.) Showtimes are 8:30 p.m. Thursdays through Tuesdays, 8:30 and 10:30 p.m. Fridays and Saturdays in the Chippendales Theater at the Rio, 3700 W. Flamingo Road, $41.45-$57.95 (777-7776).

    ‘CRAZY GIRLS’ (C-) The longest-running of the topless cabaret revues on the Strip must be doing something right to stay open since 1987. Tatty wigs aside, “Crazy Girls” stays in the game with strong solo numbers and a lustier strip-club vibe than some of its classier competitors. Judge its appeal by whether you think that’s a good thing. (11/12/04 M.W.) Showtimes are 9:30 p.m. Wednesdays through Mondays, in the Mardi Gras Plaza at the Riviera, 2901 Las Vegas Blvd. South, $45.50-$73, no one younger than 18 will be admitted (794-9433).

    CELINE DION IN ‘A NEW DAY’ (B+) A supersized attempt to marry an adult-contemporary superstar to Cirque du Soleil-style spectacle proves to be an odd mix. Former Cirque director Franco Dragone creates a spectacular pop opera, and the sound system is as amazing as the visuals on a 40-foot high-definition video screen. But it has been up to the star herself to warm the edges of the baroque surrealism and demonstrate that a little personality can still do things millions of dollars worth of technology can’t. (10/1/04 M.W.) Showtimes are 8:30 p.m. Wednesdays through Sundays in the Colosseum at Caesars Palace, 3570 Las Vegas Blvd. South, $87.50-$225 (731-7865).

    ‘DRAGAPELLA’ Showtimes are 9:30 p.m. Tuesdays through Saturdays in the Shimmer Cabaret at the Las Vegas Hilton, 3000 Paradise Road, $50.75 (732-5755).

     ’AN EVENING AT LA CAGE’ (B) The Strip’s sole surviving drag show now comes off more as mainstream variety show than campy farce, but it has updated its pop culture references by adding Jennifer Lopez and Britney Spears to its arsenal of lip-synced impressions. Most of the tributes zip along as fast as Velcro will allow, and host Frank Marino adds a parade of costume changes and raunchy jabs at celebrities. (9/24/04 M.W.) Showtimes are 7:30 p.m. Wednesdays through Mondays in the Mardi Gras Plaza at the Riviera, 2901 Las Vegas Blvd. South. $67.75-$78.75 (794-9433).

    ‘EROCKTICA’ (C) It’s the second go-round for a topless show that originally opened with a live rock band, trading its sassy edge for more musical versatility. Singing to tape allows Gabriella Versace and Ray-J (Raymond Jones) to bend the genres and throw in some power ballads. But the singing hosts steal the show from the topless dancers, who mostly strut around and get tangled up in swaths of fabric. (12-2-05 M.W.) Showtimes are 10 p.m. Wednesdays through Mondays in Club Rio at the Rio, 3700 W. Flamingo Road, $57.95 (777-7776).

    ‘FANTASY’ (B-) The former ‘Midnight Fantasy’ tightened up its structure as well as its title. Music video and concert choreographer Cris Judd was recruited in mid-2005 to add fresh musical numbers, which allow an impressive female chorus line to balance tightly wound motion with sensuality. It’s unpretentious eye candy that fills the basic requirements of the topless revue, though Stephanie Jordan’s sultry live vocals add a needed dimension. (9/9/05 M.W.) Showtimes are 8 and 10:30 p.m. Tuesday, 11 p.m. Saturday, 10:30 p.m. Friday, Sunday, Monday, and Wednesday in the Atrium Showroom at the Luxor, 3900 Las Vegas Blvd. South, $49.49 (262-4900).

    ‘FASHIONISTAS’ (B+) The most daring show to play the Strip in a long time is a boldly erotic story (without nudity) told in dance, adapted from a hard-core movie of the same name by porn mogul John Stagliano. The tale of a love triangle within the fashion industry could use clarification, and the presumed interest in “fetish fashion” will be as foreign to some as the droning industrial music is to others. But it’s fascinating to see what a true adult show can be when it’s independent of corporate casino input, and Stagliano delivers a committed vision full of style and humor. (10/15/04 M.W.) Showtimes are 9:30 p.m. Thursdays through Tuesdays at Krave nightclub in the Desert Passage mall, 3663 Las Vegas Blvd. South, $54.95-$87.95, no one younger than 21 will be admitted (836-0830).

    ‘FOLIES BERGERE’ (B) The city’s longest-running show opened in 1959 and is now one of the last souvenirs of old Vegas and its iconic showgirls. The current edition blends newer bits with classics such as the gymnastic Parisian cancan, and does a fair job of bringing its human performers to the forefront of a stage that’s now modest by Las Vegas standards. The “Folies” preserve a unique era of show business with a straight face, but if the revue has a long-term future it could use a more winking or revisionist approach. (1/7/05 M.W.) Showtimes are 7:30 p.m. (covered) and 10 p.m. (topless) Mondays, Wednesdays, Thursdays and Saturdays and 8:30 p.m. (topless) Tuesdays and Fridays in the Tiffany Theatre at the Tropicana, 3801 Las Vegas Blvd. South, $67.90-$78.90, dinner packages available (739-2411).

     ’FOREVER PLAID’ (A) A charming salute to the harmony groups of the 1950s turns out to be more than the catalog revue it promises. Writer-director Stuart Ross balances fond tribute with mild satire in the story of four college-age nerds who were killed on the way to a gig, but brought back from the afterlife for a chance to finish the show. The quartet balances pristine four-part harmonies with nuanced comedy in a musical that is more elaborate than it wants you to notice, and full of surprises. (2/18/05 M.W.) Showtimes are 7:30 p.m. Tuesdays through Saturdays and 3 and 7:30 p.m. Sundays at the Gold Coast, 4000 W. Flamingo Road, $43.95-$49.45 (251-3574).

    ‘HAIRSPRAY’ (B+) Showtimes are 7 p.m. Mondays and Fridays, and 7 and 10 p.m. Tuesdays, Thursdays, Saturdays and Sundays in the Luxor Theatre, 3900 Las Vegas Blvd. South, $74.50-$96.50 (262-4900).

    ‘JUBILEE!’ (B) This classic “feather show” is simultaneously one of the Strip’s greatest treasures and the silliest reminder of its excessiveness. New lighting installed in the summer of 2004 rightfully puts the focus on a revue that’s more about stagecraft and costumes than any real performance value. The “Titanic” and “Samson and Delilah” segments are still impressive in a campy way, but they end about 30 minutes before the rest of it. (10/29/04 M.W.) Showtimes are 7:30 and 10:30 p.m. Saturdays through Thursdays in the Jubilee Theater at Bally’s, 3645 Las Vegas Blvd. South, $58-$77, no one younger than 18 will be admitted (967-4567).

     ’KA’ (A-) Cirque du Soleil’s first attempt at linear storytelling ditches the dreamy surrealism in favor of darkly textured atmosphere. The result achieves new heights in automated stagecraft as it follows a twin brother and sister from a mythic dynasty through a series of wondrous set pieces, including a storm at sea and a beach full of whimsical puppets. But the most expensive live show ever staged in Las Vegas is hard to follow and fails to bring home the dramatic potential of the saga. (2/11/05 M.W.) Showtimes are 7:30 and 10:30 p.m. Tuesdays through Saturdays in the Ka Theatre at the MGM Grand, 3799 Las Vegas Blvd. South, $99-$150 (891-7777).

    ‘LA FEMME’ (B) You aren’t likely to remember the specifics of this arty, influential nudie show — imported from the Crazy Horse in Paris — as much as the overall concept. Symmetrical topless beauties are painted in kaleioscopic patterns of light, sort of like making a whole show out of James Bond opening credits. The resulting 70-minute confection is like taking the money you would usually pay for a dinner and instead going to Le Cirque just for dessert. (7/9/04 M.W.) Showtimes are 8 and 10:30 p.m. Wednesdays through Mondays in the La Femme Theatre at the MGM Grand, 3799 Las Vegas Blvd. South, $59, no one younger than 18 will be admitted (891-7777).

    ‘LEGENDS IN CONCERT’ (B) The pioneer of the much-copied impersonator format hasn’t survived since 1983 by accident. It takes itself less seriously than in the old days, sometimes inviting the audience to laugh along at the wackiness of impersonating everyone from Prince to Shania Twain. The Elvis Presley finale is the only given in what amounts to an old-fashioned variety show with rotating stars, but the overall presentation and performance level are impressive for the ticket price. (7/16/04 M.W.) Showtimes are 7:30 and 10 p.m. Mondays through Saturdays in the Imperial Theater at Imperial Palace, 3535 Las Vegas Blvd. South, $39.95-$59.95, includes one drink, $24.95-$44.95 for children 12 and younger, dinner packages available (794-3261).

    ‘LE REVE’ (B-) These dreams seem very familiar, as “O” and “Mystere” director Franco Dragone recycles imagery for a redundant aquatic show in-the-round. Subtitled, “A Small Collection of Imperfect Dreams,” the skeletal plot has the mythic Morpheus leading an Everyman through a sensual, often dark dreamscape. Gorgeous imagery doesn’t fully compensate for the underwhelming acrobatics. The collective effort shows how quickly innovation becomes formula. (5/13/05 M.W.) Showtimes are 7:30 and 10:30 p.m. Saturdays through Wednesdays in the Wynn Theater at Wynn Las Vegas, 3131 Las Vegas Blvd. South, $99-$121 (770-9966).

    ‘MAMMA MIA!’ (B) The stage equivalent of a chick flick, the musical blockbuster will thrill grown-up disco gals — ABBA fanatics can advance the rating by one letter grade — and offer frothy, escapist fun for everyone else. The gimmick of drafting ABBA songs as show tunes is far more clever than the story, which coasts a little too much on its own good will and a TV sitcom level of humor. But at last the Strip offers real theater well-crafted, even for a vehicle so light. (2/21/03 M.W.) Showtimes are 7:30 p.m. Sundays through Thursdays and 6 and 10 p.m. Saturdays in the Theatre at Mandalay Bay, 3950 Las Vegas Blvd. South, $49.50-$110 (632-7580).

    ‘MATSURI’ Showtimes are 4 p.m. Saturdays through Mondays, Wednesdays and Thursdays, and 7:30 and 10:30 p.m. Fridays in the showroom at the Riviera, 2901 Las Vegas Blvd. South. $59.95-$69.95, $39.95 children 12 and under. The show opens Wednesday (794-9433).

    ‘MENOPAUSE THE MUSICAL’ Showtimes are 7 p.m. Monday, Tuesday and Thursday, 2 p.m. Wednesday, 4 and 7 p.m. Saturday, and 2 and 5 p.m. Sunday in the Shimmer Cabaret at the Las Vegas Hilton, 3000 Paradise Road, $58.45 (732-5755).

    ‘MYSTERE’ (A) Now in its second decade, the first nontouring Cirque du Soleil show still impresses those who walk into the custom theater, but keeps its computerized stagecraft under the rule of its human masters. The giant stage and 36-foot turntable is one that serves to showcase, rather than compete with the acrobats. The playful surrealism is as timeless as a classic painting, and “Mystere” was equally well-constructed to be a show for the ages (2/13/04 M.W.) Showtimes are 7:30 and 10:30 p.m. Wednesdays through Saturdays and 4:30 and 7:30 p.m. Sundays in the Mystere Theatre at Treasure Island, 3300 Las Vegas Blvd. South, $60-$95 (800-392-1999).

    ‘O’ (A) Cirque du Soleil’s aquatic spectacular blends spectacular acrobatics and surreal theater into an overwhelming visual feast, in which the human performers battle for attention with the wondrous staging in and above a 150-by-100-foot pool. “O” flaunts its technology with great panache, and though emotion is sometimes lost in the pastoral dreaminess, the technological toys are mostly a means to an upbeat, humanized end. (05/07/04 M.W.) Showtimes are 7:30 and 10:30 p.m. Wednesdays through Sundays in the Theatre at Bellagio, 3600 Las Vegas Blvd. South, $93.50-$150 (693-7722).

    ‘SKINTIGHT’ (B-) Of all the topless shows on the Strip, this is the only “equal opportunity” one to include male dancers and a dynamic frontman, Darryl Ross. In the course of three years, “Skintight” also has evolved from a disjointed, often bizarre dance revue to one that values its performers’ personalities more than their breast implants. (5/30/03 M.W.) Showtimes are 10:30 p.m. Mondays, Wednesdays and Saturdays; 10 p.m. and midnight Fridays; and 7:30 and 10:30 p.m. Sundays in the Showroom at Harrah’s Las Vegas, 3475 Las Vegas Blvd. South, $54.95, no one younger than 18 will be admitted (369-5111).

    ‘SPLASH’ (C) This Riviera fixture has gone from cutting-edge to kitsch, but nonetheless managed to survive on the Strip for 20 years. Original creator Jeff Kutash used that cue to update the revue with a historical Las Vegas theme and video montages. The show still pilfers pop cuture, but has replaced tributes to Michael Jackson and Madonna with fresh cheese, including “Phantom of the Opera” on ice and a tribute to topless clubs. The cast at least seems to be in on the joke this time, and the motorcycle daredevil act is still one of the best on the Strip. (7/1/05 M.W.) Showtimes are 8 p.m. Sundays through Thursdays, 7 and 9:30 p.m. Saturdays in the Splash Theatre at the Riviera, 2901 Las Vegas Blvd. South, $65-$80, no one younger than 18 will be admitted (794-9433).

    ‘THUNDER FROM DOWN UNDER’ (C+) This male revue from Australia has made a home on the Strip by keeping things simpler and a bit less graphic than its chief competitor, “Chippendales: The Show.” The costumes are variations of tank tops and jeans, and the show varies a bit each night as the dancers rotate the four “solo” spots. (8/29/03 M.W.) Showtimes are 8 and 10:30 p.m. Fridays and Saturdays, and 8 p.m. Sundays through Wednesdays in Merlin’s Theater at Excalibur, 3850 Las Vegas Blvd. South, $43.95-$54.95 (597-7600).

    ‘TONY ‘N’ TINA’S WEDDING’ (B+) This interactive dinner-theater hit has been playing around the country since 1985, but it’s still one of the most inventive shows to hit Las Vegas in years. Creator Nancy Cassaro coached a local cast to balance subtlety with stereotype in bringing two extreme New York Italian families to life. Since the show goes on all around the warehouse “banquet hall,” it pays — especially at the most distant tables — to move around and talk to the performers who never break character. (2/15/02 M.W.) Showtimes are 7 p.m. Mondays through Sundays in the Calypso Room at the Rio, 3700 W. Flamingo Road, $84.87 (777-7776).

    ‘TOURNAMENT OF KINGS’ (B) The King Arthur pageant is ready for an update, but still whips up convincing stunt action as heroes and villains go at it with lances, maces, swords and battle axes in a dirt-covered arena. Heavy on audience-participation humor, it remains one of the few Las Vegas shows with family appeal, as well as rare show with dinner — but without cutlery. (1/27/06 M.W.) Showtimes are 6 and 8:30 p.m. Wednesdays through Mondays in King Arthur’s arena at Excalibur, 3850 Las Vegas Blvd. South, $55 (597-7600).

    ‘THE TRIBUTE TO FRANK, SAMMY, JOEY & DEAN’ (B) Las Vegas deserves a standing Rat Pack show, and this one pulls the audience into a fun atmosphere that gradually makes people forget about whether the stars look or sound like the legends. Luis Velez and Pete Willcox do look and sound a lot like Sammy Davis Jr. and Dean Martin, respectively, while Sandy Hackett provides the cohesive comedy in the Joey Bishop role. (6/4/04 M.W.) Showtimes are 8:15 p.m. Saturdays through Thursdays at the Greek Isles, 305 Convention Center Drive, $51.50-$82, dinner packages available (737-5540).

    ‘V — THE ULTIMATE VARIETY SHOW’ (B) Producer David Saxe had the inspiration to fill a whole show with acts who fled to cruise ships with the demise of traditional floor shows. The stock company of jugglers, prop comics and magicians can be hit-and-miss, sometimes out of step with the new, hip Vegas. But they also demonstrate the simple value of a live performer interacting with an audience in the computer era. (7/9/04 M.W.) Showtimes are 7:30 and 9 p.m. daily in the V Theatre at the Desert Passage mall, 3663 Las Vegas Blvd. South, $59-$69, half-priced tickets for children 12 and younger (932-1818).

     ‘VIVA LAS VEGAS’ (B-) This revue in miniature has been at the Stratosphere since 1996, establishing the afternoon show as a budget alternative to ticket inflation. As such it’s no overachiever, but strikes an agreeably relaxed vibe as a pleasant collection of comedy, magic and production numbers by a singing host and quintet of showgirls. In recent years, Bruce Mickelson’s theatrical “Big John” — a sputtering Texan with a short fuse — has emerged as the star. (8/5/05 M.W.) Showtimes are 2 and 4 p.m. Mondays through Saturdays in the Theatre of the Stars at the Stratosphere. Children younger than 5 will not be admitted and anyone younger than 21 must be accompanied by an adult, 2000 Las Vegas Blvd. South, $16.85 (380-7711).

    ‘X’ (B-) This show that raised eyebrows when it opened in 2002 returns to the Desert Passage mall as not quite a “topless” show, thanks to county licensing issues that require strategic placement of “x”-shaped tape. It still offers fun dance routines to an impressive variety of music and a wit lacking in some of its cabaret competition. (11/19/04 M.W.). Showtimes are 10:30 p.m. daily in the V Theatre at the Desert Passage mall, 3663 Las Vegas Blvd. South, $55-$65 (932-1819).

    ‘ZUMANITY’ (B+) Cirque du Soleil’s naughty cabaret show is a bold attempt to explore new directions, sexing up the familiar acrobatics and blending them with European cabaret theater for an 18-and-older audience. The acrobatic pieces offer beautiful, sexually charged moments, and the weaker connecting material has been punched up to give more zest to the overall effort. “Zumanity” has proved to be a late bloomer, but could still keep searching for ways to exploit the musical and comic possibilities of the format. (9/30/05 M.W.) Showtimes are 7:30 and 10:30 p.m. Fridays through Tuesdays in the Zumanity Theatre at New York-New York, 3790 Las Vegas Blvd. South, $65-$125 (740-6815).

    Reviews provided by: The Las Vegas Review Journal